PRESS

During the highly anticipated Marty x Supreme jacket release in Los Angeles , I was interviewed by multiple major news outlets covering the massive turnout and cultural impact of the drop. The line stretched for blocks, bringing together creators, collectors, and fans — and media outlets used my interviews to help tell the story of the event's scale and community significance. Across several platforms, reporters captured why this release resonated so deeply with LA street cul

In November 2023, LA Weekly published a full feature on Crisis Magazine’s CAMP CRISIS event — positioning it as a cultural moment that recaptured the original spirit of Camp Flog Gnaw before it became a corporate-controlled festival. The article highlights Crisis Magazine as a rising independent force in Los Angeles, capable of energizing a young creative scene the same way Tyler, The Creator once did. LA Weekly framed the piece around a few core themes: Crisis Magazine cha

We were honored to be featured in Beans Magazine Volume 4 , a publication known for championing underground creatives and documenting authentic culture around the world. The issue includes a full article titled “Homage to Crisis Magazine,” written by our head writer @ july.flowers , reflecting on the origins, impact, and evolving vision behind Crisis. The piece explores the storytelling roots of the magazine, our approach to documenting real scenes in Los Angeles and beyond,

My VoyageLA profile (April 2023) captures the real beginning of my creative journey — from making YouTube videos as a kid to building Crisis Magazine completely on my own. The article highlights how everything started: “When I was little I was recording everything… I had a YouTube channel at a young age.” It also documents the accidental creation of my first magazine, GOOD TIMES , built from a batch of film photos that didn’t turn out as planned: “It didn’t look like a post,

One of the most meaningful milestones in my early creative career was being interviewed on Good Times Magazine to promote my first-ever fashion show, held in Sacramento. The segment, which aired on local news and is still available online, captured a moment when my work was transitioning from digital content into real-world fashion, community events, and physical brand-building. At the time, I was building my line piece by piece, creating garments by hand, and figuring out h

After our 5-foot edible gingerbread house went viral and drew the attention of Good Day Sacramento, most people assumed that was the peak of our holiday builds. But one year later, my team and I returned with something far more ambitious, far more chaotic, and far more unforgettable: a 17-foot tall, 100% edible gingerbread house — one of the largest ever constructed in a private home. The project became a centerpiece of our YouTube holiday special and quickly turned into a l

One of the most unforgettable moments from my early YouTube era was when Good Day Sacramento  came out to film a full news segment on a holiday project my team and I built entirely by hand: a 100% edible 5-foot tall gingerbread house . What started as a fun idea for our weekly YouTube uploads quickly turned into a local viral story that spread across Northern California during the holidays. The news crew showed up to our house amazed — not only by the scale of the build, but

In 2016, when the digital creator landscape was still defining itself, AOL published a profile titled “Tate Lovett is the rising social star you need to know about.” At the time, I was 15 years old — armed with a camera, an overactive imagination, and an obsession with building something bigger than myself on the internet. I didn’t realize it then, but that article would become one of the earliest public markers of the career I’m still building today. The piece was part of A